The Anthony Hecht Poetry Prize

2010


Two poems from Matthew Thorburn's Every Possible Blue

followed by a note on the author

 

Now is Always A Good Time


Between the Age of Enlightenment and the age
of thirty, I lost my way. Disappointment

scuttled down the breezeway. Ennui stretched out
across several white wicker chairs. "Beauty,
closely apprehended, breeds fear," I told myself

by way of reassurance. "Then sorrow, then loneliness."
Then I felt better. Poor L.A. Where could one turn

without running into a pink-tinted martini,
a kiss on each cheek, that hankering that follows
the hankering for gin? Oh, for an ice cube

and something to plunk it in! I lip-read the director
as his leading lady tucks into the duck pâté,

the duck canapés. "The world's too twilit,"
he seems to say, "too black and white." The yellow
bowl of arugula sits unnoticed off to one side.

Who loves lettuce? But Hoagy Carmichael does
a funny thing at the piano and my heart

swings open like a Murphy bed. Now a hint
of stale Nag Champa tickles my nose, or is this
Chanel No. 5 letting go of someone's taut tan wrist?

I know no one wears it anymore. Things change –
we'll always have that. "I liked it better,"

someone says, "when the world was flat."
That someone is me. "I agree with everything
you've ever said or thought in your life."

Me again, but headed home. Ma petite amie,
Jeanne D'Arc, rolling over like a wheel of cheese –

what are you doing still up and smoking in bed?
Tonight, the stars are quoting the collected
works of Howard Hawks, word for word.

It takes us all night and all morning. We watch
and watch. We drink it in like gin.

 

 

Gravy Boat


I wonder who wound up with it
in the divorce – and notice immediately
how wound looks the same
as wound, a hurt – that tacky
ceramic number, tricked out with leaves
and grapes, I picked off the gift registry
at Marshall Field's and actually saw
hard at work once – full of bubbly
steaming brown gravy! – on a Thanksgiving
table, oh, five, six years ago. It's the name
that grabbed me, a boat designed
to keep liquid in, that frail coracle
that carries not necessity, but condiment –
this rich, salty blend of meat drippings
and flour in the original, whisked up
right in the pan, or some processed, jarred
whoseywhat from Wegman's, nuked
and on the table in 60 seconds flat.
If I had any say in it, it would've been flung
at the wall – finger-pointing, yelling,
goddamn it, a ducked head
and crash! – in an after-midnight
fight months before anything was "settled,"
the paltry goods divvied up, boxed
and trucked off – what's left
hauled away to what's next. Let it be
one more victim, shards
of green and brown on waxy
linoleum, swept up, binned and gone –
to be dumped and forgotten, left to crumble
into dust and blow away into the dark
indifferent waters off Staten Island
from the landfill called Fresh Kills.

 

©




 

 





Matthew Thorburn was born in Lansing, Michigan in 1973. He earned his BA from the University of Michigan, where he was a two-time Hopwood Award winner, and his MFA from The New School. He is the author of two books of poems, Subject to Change (New Issues, 2004) and Every Possible Blue (CW Books, forthcoming 2012), and a chapbook, the long poem Disappears in the Rain (Parlor City, 2009). Thorburn's poems have appeared in many journals, including the American Poetry Review, Michigan Quarterly Review and Ploughshares, and he has contributed essays and book reviews to Jacket, Pleiades, Rowboat: Poetry in Translation and other journals. He lives in New York City, where he works as a marketing manager for an international law firm.

"Now is Always A Good Time'" first appeared in the Paris Review, and "Gravy Boat" first appeared in Pool. Both poems will appear in Every Possible Blue, forthcoming from CW Books in 2012.



 
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The Anthony Hecht Poetry Prize