The Anthony Hecht Poetry Prize

2010


Two poems from Amy Greacen's A Modern Herbal

followed by a note on the author

 

Amygdalus persica

(Peach )

 

For you, sweet thing, only the orchard's great
voluptuary, sugar as a heat
mirage, the August sun dripping
over the lip of the world,
brazen, annealed.

For you, love, nothing but the incarnation
of hedonistic languor, sun-hot flesh
so ripe it barely holds itself together,
a radiant acidity arrayed
around a corrugated shell

enclosing something like an almond. What
can I tell you, darling? Nothing changes. Break
its skin and you will always have the same
swift hit to the amygdala:
each molecule of scent is,

for you, my own, a recapitulation
of an original experience
that grows association like a root
time only deepens. And was anything
ever more glorious than this

expression of long-term potentiation,
of something that comes back and back and each
time bigger, more potent, all the gaudy rush
of nectar down your throat, the honeyed light
and all of it only

for you, sweetheart, and for no other
reason than to show how pleasure
too can concentrate with time?
There is the blonde down
on her forearm, there

is the drunken, swooning heat
that grew between your voices every time
you thought about the last time, or the next.
There is the way that every word
branched and seemed to set

its own fruit, an abundance that could break
itself. It's all exquisitely
preserved, the way that staggering
lushness consumed you even as it was
consumed. The peach tree has a message

for you, dear, and it's this: your memories,
your gut reactions, your addictions, your
conditioned fears and pleasures, the ability
to be transported by a hint
of perfume: these things are

forever, love, they are immortal even
if you are not. How elegant design
is, that it does this: you're reduced
to nothing, finally, but all the work
it took to bring you there

stays put. And there's a thing
deep in the limbic brain that says
so, wordlessly collating what you feel
so you can learn from it, and it is shaped
just like the kernel of the peach.

For you, then, love: the fruit
Of complicated generosities,
Of things perfected by anticipation,
By recollection. Fruit of infinite
Seduction, fruit of liquid

Flame, fruit of the velvet
Glove and the suckerpunch.
Fruit of oh God, oh yes, of pheromones,
Of heat, of incipient bruises, of overdoing it,
Of being unable to even want to stop.

 

 

Brugmansia suaveolens

(Angel's Trumpet)

Liftoff. Oh and the open mouths of horns
Exude libidinous
Motifs, a wafting air you're sure you've heard
Somewhere before. You're borne
Vertiginously upward, outward. This
Is where it all gets hard

To fathom, but to rise above it all,
It's certain one must be
Extremely high. The air thins, and your eyes
Are dinnerplates, and ease
Gives way to ecstasy, and then to awe,
A holy shock. And by

The time you understand what you are seeing,
It's something else already.
Between your fingers there's a cigarette
Burning. But when you get
It to your lips, it vanishes in heady
Smoke wisps. Then comes back. Being

Apart from everything might almost bring
On a transcendent sense
Of oneness. Only there's a woman watching
You. Saying not a thing.
Impassive, mask-faced, almost in a trance
But for the way she's crouching

Like something set to spring, and she refuses
To answer when you ask
Her what she wants. You try to focus on
The landscape. But the brass
Section crescendos once again, a drawn-
Out caterwaul that uses

At once the sweetest, most angelic airs
Ever recorded, and
Riffs so risqué a carnival marching band
Would blush en masse. And there's
A message in it. All
Is heightened, archetypal. Read the scrawl

That's spreading out beneath you. Oh, it's all
Right there. Subaudible,
Beneath the squalling trumpets and the growing
Sense that your mouth is full
Of sand, lies what you're seeking, and you're going
To get it. And to fall

From this height… well. We all know divination's
A solo flight. The lights
Flash, waver. Starry maps. Sudden insights,
Each synapse acrobat
To acrophobia's ledge - yes, all of that,
And none, too. Syncopation.

It's deadly hot. Your lungs sear on the air.
You're thrashing, a drowned fish.
Fixed eyelids. You want out. What did you think
You sought here? Try to blink.
Nothing. Swallow: impasse. And as you wish
For help, with debonair

Big-band abandon all the trumpets scream
Their wicked a piacere
And there's a crazy kiss-of-death nocturne
Of a perfume, too, torn
Right from the headlines of a dirty dream.
It's challenging the very

Definition of divine. And how
Is it you only now
Think to ask yourself which angel plays
A trumpet? Tropane daze
Aside, the swelling embouchure, the pitching
World here at the witching

Hour, says this, and only this: Entia sunt
Multiplicanda praeter
Necessitatem
. And, my dear, you'd better
Believe it: infinite
Division makes sense where the great witch-hunt
For elegance cannot.

Things make connections, scatter, rebound, crack
And close, ripen and split.
Not so much divination as divine
Accident captures it.
And we are tongue-tied after we get back
From seeing it. It's fine:

There's music to it. Brassy. Full of wit
And lust and otherness.
It might originate within you, just
Like the narcotic breath
Of night-sweet flowers, leaking as they must
A drug for moths. And what

You know, if you know anything: the sky
Will let go. No volition;
Just a profuse eroticism kissed
With terror. Hey: well, this
Is flying ointment, honey. There's a fly
In it by definition

 

©




 





Amy Glynn Greacen grew up in the San Francisco Bay Area and was educated at Mount Holyoke College and at Lancaster University, England. Her work has appeared or is forthcoming in New England Review, Poetry Northwest, the New Criterion, Southern Poetry Review, The Best American Poetry 2010, and elsewhere. She has been a Pushcart Prize nominee and Mona Van Duyn Scholar in Poetry at the Sewanee Writers’ Conference. A novelist and food writer as well as a poet, she lives outside San Francisco with her husband and two daughters.



 
Home Page Poetry Ordering News Credits
The Press Fiction Trade Events Links
Contact Us Non-Fiction Rights Mailing List Vacancies
Imprints Illustrated Permissions Submissions Search

The Anthony Hecht Poetry Prize