The December 1st deadline for the fifteenth Anthony Hecht Poetry Prize has now passed, and the judging process is underway. The contest’s results will be posted on the press’s website – at The Waywiser Press – in March 2020.
This portal will re-open for submissions to the next Anthony Hecht Poetry Prize in August 2020.
It was with great sadness that we learned of the death of Al Alvarez, whose New & Selected Poems (2002) was one of Waywiser’s earliest publications. Al, who was born ninety years ago, in 1929, was that increasingly rare thing, an all-round man of letters — not just a poet, but a critic, memoirist, writer of non-fiction, and journalist. He was also a man in love with risk, as his exploits as rock-climber and poker-player amply attested.
A well-rounded appreciation is to be found in John Sutherland’s obituary for The Guardian, which can be read at: https://www.theguardian.com/books/2019/sep/23/al-alvarez-obituary.
The December 1st deadline for the fourteenth Anthony Hecht Poetry Prize has now passed, and the judging process is underway. The contest’s results will be posted on the press’s website – at The Waywiser Press – in March 2019.
This portal will re-open for submissions to the 15th Anthony Hecht Poetry Prize on August 1st 2019.
The Waywiser Press is pleased to announce that Clive Watkins, author of Jigsaw (2003) and Already the Flames (2014), has won the 2018 Robert Graves Poetry Prize for his poem
Mirror, Mirror. The prize of £1000 is offered by the Roehampton Poetry Centre, Roehampton University, London, in conjunction with the Wimbledon Bookfest to honour the poet, novelist and critic, Robert Graves. The judges were the poet David Harsent and the literary agent Peter Straus. They commented that
Mirror, Mirror was
marked out by its sure touch with image and its controlled narrative tension. It will appear in the near future in Roehampton Poetry Centre’s magazine, Poem. (Another of Clive’s poems was also included in the short-list.) The official announcement can be found at: Robert Graves Poetry Prize, 2018
March 15, 2019:
— UK Publication of Christopher Cessac’s Hecht-Prize winning The Youngest Ocean
— UK publication of Pulitzer Prize finalist Morri Creech’s Blue Rooms
October 15, 2018:
— US Publication of Christopher Cessac’s Hecht Prize-winning The Youngest Ocean
— US publication of Pulitzer Prize finalist Morri Creech’s Blue Rooms
June 15, 2018:
— UK Publication of editors Daniel Groves and Greg Williamson’s Jiggery-Pokery Semicentennial
— UK Publication of editor Philip Hoy’s A Bountiful Harvest: The Correspondence of Anthony Hecht and William L. MacDonald
March 15, 2018:
— US publication of editors Daniel Groves and Greg Williamson’s Jiggery-Pokery Semicentennial
— US publication of editor Philip Hoy’s A Bountiful Harvest: The Correspondence of Anthony Hecht and William L. MacDonald
March 15, 2018:
— US & UK publication of Stephen Kampa’s Articulate as Rain.
Mike White’s Addendum to a Miracle, which won the 12th Anthony Hecht Poetry Prize, was one of three finalists for the 15 Bytes Book Award for Poetry. The judges’ citation for his collection reads as follows:
The poems in Mike White’s Addendum to a Miracle explore complex notions of fatherhood, patriarchy, violence, and self with an understated yet sharp gaze. That gaze delineates thresholds of dark and light — the body pressing its “weight/ against the big revolving door,/tumbling into the sunny afternoon,/mildly stunned that it’s there.” Several of White’s poems are haikus or similar in their spareness that hides what is unspoken. The words create silhouettes on a page and lines range from ethereal to corporeal, from “in the shadows/of the ferris wheel/bright hints of deer” to “my son insists/I am a father/and he is a brown bear./It goes this way./He gets hungry/and by and by/I am chosen.” The poems’ images often rest on the cusp of invisibility and apparition. The endings of the poems are not static, but instead leave the reader at the entrance of an open door. Yet what do final lines open into? Both the existentialism of “white space” (a pun?) and “God’s/good eye/waiting out the rain.” These images that seem opposite give keys to reading the poems–presence and absence coinciding on a tightrope. For more information about the award, please go to 15 Bytes Award for Poetry
The awards ceremony, at which Mr White, his fellow finalist, and the eventual winner, will read from their collections, will be held at 19:00 on October 17th 2018 at The Printed Garden, 9445 S Union Sq, Ste A, Sandy, Utah 84070. Full details of the event can be found by going to The Printed Garden
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