Monthly Archives: September 2018

Book publication — March 15 2019

March 15, 2019:

— UK Publication of Christopher Cessac’s Hecht-Prize winning The Youngest Ocean

— UK publication of Pulitzer Prize finalist Morri Creech’s Blue Rooms

Book publication — October 15, 2018

October 15, 2018:

— US Publication of Christopher Cessac’s Hecht Prize-winning The Youngest Ocean

— US publication of Pulitzer Prize finalist Morri Creech’s Blue Rooms

Book publication — June 15, 2018

June 15, 2018:

— UK Publication of editors Daniel Groves and Greg Williamson’s Jiggery-Pokery Semicentennial

— UK Publication of editor Philip Hoy’s A Bountiful Harvest: The Correspondence of Anthony Hecht and William L. MacDonald

Book publication — March 15, 2018

March 15, 2018:

— US publication of editors Daniel Groves and Greg Williamson’s Jiggery-Pokery Semicentennial

— US publication of editor Philip Hoy’s A Bountiful Harvest: The Correspondence of Anthony Hecht and William L. MacDonald

Mike White’s Addendum to a Miracle a finalist for the 15 Bytes Book Award

Mike White’s Addendum to a Miracle, which won the 12th Anthony Hecht Poetry Prize, was one of three finalists for the 15 Bytes Book Award for Poetry. The judges’ citation for his collection reads as follows: The poems in Mike White’s Addendum to a Miracle explore complex notions of fatherhood, patriarchy, violence, and self with an understated yet sharp gaze. That gaze delineates thresholds of dark and light — the body pressing its “weight/ against the big revolving door,/tumbling into the sunny afternoon,/mildly stunned that it’s there.” Several of White’s poems are haikus or similar in their spareness that hides what is unspoken. The words create silhouettes on a page and lines range from ethereal to corporeal, from “in the shadows/of the ferris wheel/bright hints of deer” to “my son insists/I am a father/and he is a brown bear./It goes this way./He gets hungry/and by and by/I am chosen.” The poems’ images often rest on the cusp of invisibility and apparition. The endings of the poems are not static, but instead leave the reader at the entrance of an open door. Yet what do final lines open into? Both the existentialism of “white space” (a pun?) and “God’s/good eye/waiting out the rain.” These images that seem opposite give keys to reading the poems–presence and absence coinciding on a tightrope. For more information about the award, please go to 15 Bytes Award for Poetry

The awards ceremony, at which Mr White, his fellow finalist, and the eventual winner, will read from their collections, will be held at 19:00 on October 17th 2018 at The Printed Garden, 9445 S Union Sq, Ste A, Sandy, Utah 84070. Full details of the event can be found by going to The Printed Garden