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Matthew
Yorke, Chancing It
192
pp, ISBN-10: 1-904130-18-6, ISBN-13: 978-1-904130-18-5, paperback
only, £6.99
Publication,
November 3rd 2005
Post-free
for on-line credit/debit card orders
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A
note about Chancing It
"When Martin spoke afresh, he sounded like someone Steve
had heard from the doorway of the bookmaker's. 'Go on then: heads
...'"
And so a matter of some consequence is settled on the toss of
a coin.
For Steve, gambling on the outcome of a cricket match, having
a flutter on the horses, trying his luck on scratch cards, even
playing virtual roulette, are nothing daunting. But then Steve
is only sixteen years old, and doesn't have anything much to lose.
For his stepfather Martin, who has mortgaged the roof over the
family's head to underwrite his latest business enterprise, the
stakes are considerably higher, however ...
Chancing It is set in a northern city undergoing radical
change, a region of light industry and heavy betting. Its all-too-human
characters move to the music of their speech and of their compulsions,
while being convinced, some of them, that what they move to is
a music altogether different, and altogether more mysterious.
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A note on Matthew Yorke
Matthew
Yorke was born in London in 1958 and now works in Leeds as an
engineer. He is author of one previous novel, The March Fence,
for which he won the John Llewellyn Rhys Prize, and editor of
Surviving: The Uncollected Works of Henry Green.
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Praise
for Chancing It
This
is an admirable piece of writing. Yorke writes beautifully, and
his sense of place of a Yorkshire town given over to light
industry and games of chance is completely convincing.The
characters, especially the hero, Steve, are brilliantly drawn.
George Melly
I enjoyed and admired this book enormously. Yorkes
theme is gambling, and his treatment of it is brilliant. So is
the way he brings his characters and the town they inhabit to
life by an inspired choice of detail, original but always convincing,
intensely observed and beautifully expressed. As well, I like
the tone of the book near to comedy but never facetious,
near to tragedy but never melodramatic.
Francis Wyndham
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Book
of the Year Nominations
The
Scotsman, December 10th 2005
Allan
Massie
"[A
book deserving more attention] is Matthew Yorke's Chancing
It, an imaginative novel set in a Yorkshire town that has
lost its old function. It rings true, and is written with an unusual
understanding of, and sympathy for, so-called ordinary people."
Daily
Telegraph, December 6th 2005
George
Melly
"At
almost 80 I read less, but this year I had a fairly wide choice.
Matthew Yorke's Chancing It has a 16-year-old hero like
D.H. Lawrence's Rocking-Horse Winner in a Yorkshire town. A fine
evocation of places, people and period."
Times
Literary Supplement, December 1st 2005
Karl Miller
"Matthew
Yorke ... has ... written a deserving book in Chancing It
... a quiet and funny cherishing of North Country punters in the
grip of their compulsion."
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Reviews of Chancing It
(Glasgow)
Sunday Herald, December 4th 2005
"Chancing
It Matthew Yorke's second novel is well-worded,
well-made, funny, grave and quietly suspenseful ..."
Karl Miller
The
Scotsman, November 5th 2005
"Some
twenty years ago Matthew Yorke's book The March Fence
won the John Llewellyn Rhys Prize for first novels. I reviewed
it in The Scotsman and said it was "the real thing,
the best first novel I have read in a long time". I would
then have predicted that Yorke would soon be an established,
highly regarded author. But nothing appeared, bar a collection
of his grandfather, Henry Green's, previously uncollected writing,
which Yorke edited. Even that was rather a long time ago: 1992.
A while ago I read The March Fence again. It still seemed
very good, and I was even more puzzled that there had been no
successor. Now, at last, there is one ... Chancing It
is again a very good novel ... Yorke writes with a lovely clarity,
making the town [it is set in] come alive. He has imagined his
characters thoroughly, especially Steve and Martin. When Steve
is walking with the wrong girl, for instance, the right girl
comes out of the hospital where she has been visiting her dying
father, and at that moment the wrong girl, Anita, takes Steve's
hand. The right girl, Helena, sees them holding hands and gives
an awkward smile, 'as if she, too, did not know what to say
...' Steve feels 'as if he had been on a train and had failed
to get off at his stop; now the train was thundering ahead,
the places, the people he was meant to be amongst, receding
into the distance.' This is good. There are moments of this
sort throughout the novel. It's about the way people
ordinary, mostly decent people think, feel and behave.
It's not exciting, but it is revelatory and deeply satisfying.
It's not going to make headlines. It's not going to be talked
about in fashionable bookchat circles. It's not going to lead
to interviews with the author. It's not going to excite any
controversy. But this is true-to-life stuff, about the way people
live now in a city a long way distant from the metropolis and
without any urban buzz. Matthew Yorke tells it how it is, and
that is always worth doing, and the result is worth reading
... [A] quiet triumph." Allan Massie
Daily Telegraph,
November 5th 2005
Seventeen
years ago, Matthew Yorke's accomplished first novel, The
March Fence, won the John Llewellyn Rhys Memorial Prize.
It featured an upper-class young man apprenticed to a Leeds
steel works, and those with an interest in literary genealogy
suspected that the author was doffing his cap to his grandfather,
Henry Green, whose wonderful novel Living was based on
his experiences working on the shop floor of the family engineering
firm in Birmingham. Yorke was reputedly writing a second book,
'on contemporary London', but this never appeared. A biographical
note in Chancing It informs us that he now 'works in
Leeds as an engineer', which may explain why it has taken so
long for this second novel to appear ... Unlike his famously
and gloriously oblique grandfather, Yorke writes in a simple,
unadorned style, and his narrative is straightforward and uncluttered.
Chancing It is, however, more carefully wrought than
its rather plain surface might suggest ... [I]t ... makes one
hope there will be rather less of a wait for his third [novel]."
Peter Parker
Independent
on Sunday, October 30th 2005
*****
Steve
was only three when his father was knocked down and killed by
joy-riders - a senseless death which sets the tone for much
of this excellent novel. The event was awful but the remaining
family benefited from it materially: they could afford to buy
their house outright with the insurance money. Now, as a teenager,
slightly cynical and a little shy, Steve watches as his stepfather
Martin and mother Mary-Anne remortgage the family home so they
can become property developers. At the same time he and his
brother Vinnie are each given a large sum of money by an old
family friend. Steve puts his in the bank, while Vinnie invests
in a market stall selling bongs and pipes. The whole family,
it seems, have found ways to make easy money. Following the
example of Martin, who enjoys betting on the horses, Steve decides
to place a bet on a cricket match. When he wins, it isn't long
before he wants to place another bet, with higher stakes. Meanwhile,
Martin buys a run-down flat to redevelop and launches into the
task of tearing down brick and plaster. Unfortunately his building
methods are unsound and the flat above, owned by a punctilious
solicitor, begins to crack up. Vinnie's business, meanwhile,
begins to attract unwanted attention. A
wry, politically charged novel, Chancing It is much more
than a simple fable. Yorke's prose is often poetic, his themes
unexpectedly complex; the hapless characters and their sad games
of chance are unforgettable.
Tom Boncza-Tomaszewski
Irish
Times, October 29th 2005
"His
family home is under threat, he is involved with the wrong girlfriend,
his brother is in trouble - the cards are not falling teenager
Steve Marsden's way, but as the odds stack up against him, at
least he seems to have the gift of picking a winner at the bookie's.
As in Yorke's first novel, The March Fence, which won the
John Llewellyn Rhys Prize, a soulless northern English city is
the backdrop to a struggle between unrewarding responsibilities
and dreams of lucky escape; this time, though, the old industries
and work habits have disappeared, and a deregulated and hugely
popular gambling sector offers hope in the form of online casinos,
lottery tickets, scratch cards, and whatever kind of bet you're
having yourself. Yorke is both an astute, sometimes lyrical, observer
of this environment and a deft storyteller, inexorably raising
the stakes for his harassed but likeable characters until the
last spin of the wheel." Giles Newington
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Praise for Matthew Yorke's last novel
"This
is a novel which throbs with life and wonder at the manifold varieies
of experience ... The talent for writing novels may be hard to
define, yet it is unmistakable when encountered ... [Matthew Yorke's
The March Fence] is the real thing ... the best first novel
that I have read in a long time." Allan Massie, The
Scotsman
"A
most impressive debut." Elaine Feinstein, The Times
"Distinctive,
energetic ... the narrative takes a real grip ..."
Hilary Mantel, Daily Telegraph
"[P]recision
and craftsmanship ... form the ... backbone of this thoughtful
and unusual [first] novel. Leslie Dick, New Statesman
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From Chancing It
"As
Martin methodically prepared them each a drink of tea
washing the mugs in one bucket, rinsing them in another
Steve continued to gaze at the page of newsprint
before him, his focus softening, his eyes moving blindly
about the tangle of data and statistics. His thoughts, too,
began
to lose their focus: now he was picturing Raff with her
back to him as she spoke in her kitchen; he could hear her
voice rising and falling with its gentle tones of persuasive
conviction. Before long the Hamilton card was no more than
a cauldron of names and numbers but, for whatever
reason, there were some names that seemed to demand more
attention than others. Little John and Mighty
Pip, for instance, stood out from the crowd; so did
Trailer Park and Mark Anthony. Steve snapped
out of his reverie. As he did so, the names of those horses
which had previously seemed to warrant more attention than
the others lost their boldness no longer did they
appear highlighted. With difficulty, Steve managed to let
his eyes focus beyond the page once more and so return the
card to its meaningless state, names repeated twice, numbers
superimposed endlessly over each other. There was no doubt
about it: Trailer Park, Mark Anthony, Little
John and Mighty Pip burnt with an intensity which
kept them well apart from the competition.
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