Donald Hall in Conversation with Ian Hamilton

“Hall comes across [In this volume] as a professional poet who has made the most of the institutional opportunities available in post-war America to build a career as writer and teacher. Twenty-two pages of closely printed bibliography attest to the scale and range of his work as an editor and anthologist … Even-tempered and meticulous, he exemplifies a contented subservience to the work ethic. Poetry, for Hall, is a craft which can be laboured at in the expectation of success proportionate to investment of effort. He is as practical and dispassionate in his attitude to subject matter as to poetic form: both are to be extended in the interests of furthering the reach of his poetry, and if private experience is to be drawn on, it does not deserve any more excitable treatment than other topics. He, none the less, speaks at length about his personal life in the interview, bringing a stoic grace to his account of the circumstances and aftermath of the death of his wife, the poet Jane Kenyon. 'Tidying', the revealingly titled sample lyric, offers a characteristically exact meditation on that aftermath.” – Patrick Crotty, TLS, October 27, 2000

Ian Hamilton was born in 1938, and educated at Darlington Grammar School and Keble College, Oxford. He co-founded and edited The Review (1962-1972), and the New Review (1974-1979), and was for several years poetry and fiction editor for the Times Literary Supplement (1965-1973). His verse publications include: The Visit (Faber, London,1970), Fifty Poems (Faber, London, 1988), Steps (Cargo Press, 1997), and Sixty Poems (Faber, London, 1999). His prose publications include: A Poetry Chronicle: Essays and Reviews (Faber, London 1973/Barnes and Noble, NY, 1973), The Little Magazines: A Study of Six Editors (Weidenfeld, London, 1976), Robert Lowell: A Biography (Random House, NY, 1982/Faber, London, 1983), In Search of J.D. Salinger (Heinemann, London, 1988/Random House, NY, 1988), Writers in Hollywood, 1915-1951 (Heinemann, London, 1990/Harper, NY, 1990), Keepers of the Flame (Hutchinson, London, 1992), The Faber Book of Soccer (Faber, London, 1992), Gazza Agonistes (Granta/Penguin, London, 1994), Walking Possession (Bloomsbury, London, 1994), A Gift Imprisoned: The Poetic Life of Matthew Arnold (Bloomsbury, London, 1998), The Trouble with Money and Other Essays (Bloomsbury, London, 1998), and Anthony Thwaite in Conversation with Peter Dale and Ian Hamilton (BTL, London, 1999). Hamilton has also edited a large number of books, amongst them: The Poetry of War, 1939-45 (Alan Ross, London,1965), Alun Lewis: Selected Poetry and Prose (Allen and Unwin, London, 1966), The Modern Poet: Essays from ‘The Review’ (Macdonald, London,1968/Horizon, NY, 1969), Eight Poets (Poetry Book Society, London, 1968), Robert Frost: Selected Poems (Penguin, London, 1973), Poems Since 1900: an Anthology of British and American Verse in the Twentieth Century (with Colin Falck) (Macdonald and Jane’s, London, 1975), Yorkshire and Verse (Secker and Warburg, London, 1984), The ‘New Review’ Anthology (Heinemann, London, 1985), Soho Square (2) (Bloomsbury, London, 1989), the Oxford Companion to 20th Century Poetry (OUP, Oxford, 1996), and the Penguin Book of Twentieth-Century Essays (Penguin, London, 1999). Between 1984 and 1987 Hamilton presented BBC TV’s Bookmark programme. He now serves on the editorial board of The London Review of Books.


Ian Hamilton, one of the founding editors of Between The Lines, died on December 27, 2001.


Donald Hall was born in New Haven, Connecticut, in 1928, the only child of Donald Andrew Hall (a businessman) and his wife Lucy (née Wells). He was educated at Phillips Exeter, New Hampshire, and at the Universities of Harvard, Oxford and Stanford. Hall began writing even before reaching his teens, beginning with poems and short stories, and then moving on to novels and dramatic verse. He recalls the powerful influence on his youthful imagination of Edgar Allan Poe: ‘I wanted to be mad, addicted, obsessed, haunted and cursed. I wanted to have deep eyes that burned like coals – profoundly melancholic, profoundly attractive.’


Hall continued to write throughout his prep school years at Exeter Phillips, and, while still only sixteen years old, attended the Bread Loaf Writers’ Conference, where he made his first acquaintance with the poet Robert Frost. That same year, he published his first work. While an undergraduate at Harvard, Hall served on the editorial board of the Harvard Advocate, and got to know a number of people who, like him, were poised for significant things in the literary world, amongst them John Ashbery, Robert Bly, Kenneth Koch, Frank O’Hara, and Adrienne Rich. After leaving Harvard, Hall went to Oxford for two years, to study for the B.Litt. While there, he found time not only to edit The Fantasy Poets – in which capacity, he published first volumes by two more people who were set to make their mark on the literary world, Thom Gunn and Geoffrey Hill – but also to maintain four other valuable positions, as editor of the Oxford Poetry Society’s journal, as literary editor of Isis, as editor of New Poems, and as poetry editor of the Paris Review. At the end of his first Oxford year, Hall also won the university’s prestigious Newdigate Prize, awarded for his long poem, ‘Exile’. On returning to the United States, Hall went to Stanford, where he spent one year as a Creative Writing Fellow, studying under the poet-critic, Yvor Winters. In Their Ancient Glittering Eyes – a book which merits comparison with Hazlitt’s ‘My First Acquaintance with Poets’ – he recalls Winters greeting him with the words, ‘You come from Harvard, where they think I’m lower than the carpet,’ adding, after a pause, ‘Do you realize that you will be ridiculed, the rest of your life, for having studied a year with me?’ Following his year at Stanford, Hall went back to Harvard, where he spent three years in the Society of Fellows. During that time, he put together his first book, Exiles and Marriages, and with Robert Pack and Louis Simpson also edited an anthology which was to make a significant impression on both sides of the Atlantic, The New Poets of England and America. Hall was appointed to the faculty in the University of Michigan at Ann Arbor in 1957, and apart from two one-year breaks in England continued to teach there until 1975, when, after three years of marriage to his second wife, the poet Jane Kenyon, he abandoned the security of his academic career, and went with her to live in rural New Hampshire, on the farm settled by his maternal great-grandfather over one hundred years earlier. Ever since that time, Hall has supported himself by writing. When not working on poems, he has turned his hand to reviews, criticism, textbooks, sports journalism, memoirs, biographies, children’s stories, and plays. He has also devoted a lot of time to editing: between 1983 and 1996 he oversaw publication of more than sixty titles for the University of Michigan Press alone. At one time, Hall estimated that he was publishing a minimum of one item per week, and four books a year. In 1989, when Hall was sixty-one, it was discovered that he had colon cancer. Surgery followed, but by 1992 the cancer had metastasized to his liver. After another operation, and chemotherapy, he went into remission, though he was told that he only had a one-in-three chance of surviving the next five years. Then, early in 1994, when the thought uppermost in his and his wife’s minds was that his own cancer might re-appear, it was discovered that she had leukaemia. Her illness, her death fifteen months later, and Hall’s struggle to come to terms with these things, were the subject of his most recent book, Without. Winters’s prediction that Hall would never live down the year he spent studying in California could hardly have been more wrong. Forty-five years after leaving Stanford, Hall is one of America’s leading men of letters, the author of no less than fourteen books of poetry and twenty-two books of prose. He was for five years Poet Laureate of his home state, New Hampshire (1984-89), and can list among the many other honours and awards to have come his way: the Lamont Poetry Prize (1955), the Edna St Vincent Millay Award (1956), two Guggenheim Fellowships (1963-64, 1972-73), inclusion on the Horn Book Honour List (1986), the Sarah Josepha Hale Award (1983), the Lenore Marshall Award (1987), the National Book Critics Circle Award for Poetry (1988), the NBCC Award (1989), the Los Angeles Times Book Prize in poetry (1989), and the Frost Medal (1990). He has been nominated for the National Book Award on three separate occasions (1956, 1979 and 1993).

– Philip Hoy, 2000